![]() ![]() In the song Del Rey also sings “And if this is the end, I want a boyfriend,” which is nothing if not relatable. While Del Rey’s haunting, echoey vocals over slightly offbeat cymbal taps might be off putting to some, it’s a memorable song that easily falls in the top of rankings. “Black Bathing Suit” is another standout of the album and is a song that future historians and college English professors could wring dry as evidence of life during the current pandemic, featuring countless Zoom meetings, Target runs and her body being scrutinized by the media. The drum kit opening has you bobbing your head. “Dealer” is a fascinating break from the heartbroken and deeply personal piano ballads. The easy simplicity of lyrics like “Ever since I fell out of love with you, I fell back in love with me,” combined with sparkling background instrumentals makes for a touching and striking song. It describes her falling back in love with herself and her life after feeling forced to change by a lover. “Violets for Roses” leads into the latter half of the album and is one of my favorite songs I’ve heard from Del Rey. While her Joni Mitchell-esque vocals were beautiful, I just was not a fan of the national anthem-like qualities of this song and the number of metaphors and similes she uses to get across that LA really is a part of her. ![]() “Arcadia” misses the mark as Del Rey, originally from New York, pushes forward the narrative that she is a California girl. This song leads into “Blue Banisters,” which sadly fades into the background compared to other songs of the album. ![]() However, the addition of lyrics concerning the Black Lives Matter movement feels like a desperate attempt by Del Rey to overcome her past controversy. It’s a strong opening to Lana’s album that reflects on her relationship with her father. It opens with the song “Text book,” one of three surprise singles from the album that was released in May. ![]() In this album, it feels like Lana has realized simplicity is typically her strong suit. ![]()
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